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Cry Minami / Mechanical Brides
Katja Stuke

Cry Minami/ Mechanical Brides, Katja Stuke

Cry Minami/ Mechanical Brides, Katja StukeCry Minami/ Mechanical Brides
Katja Stuke


64 pages
210 x 297 mm


Some years ago Minami Minegishi, a singer of Japanese Idol-Band AKB48 got a some international media attention: she appeared on Japanese TV, crying with shaved hair – apologising for having had a sexual affair with a young man; which seemed to be prohibited by her contract with the management of the group. The first image that came up in Katja Stuke mind – the artist’s mind – was the image of shaved women in Europe, after World War II women who have had affairs with German soldiers where publicly punished this way. Still even today shaving women’s hair seems to be a symbol of humiliation and power — further more this symbolism is widely used across the world. Other questions that came up: Was this her own idea or was it just another marketing strategy? These questions let Katja Stuke to use Minami‘s image as part of »Mechanical Brides«; a series Katja Stuke started in 2011 a work which focuses and examines the image of women in media an advertising. As part of the artwork Katja Stuke produced stickers of Minami’s portrait and pasted them out on the streets: on traffic lights or electrical boxes, post boxes, trash cans or power poles wherever we travelled: in Japan, all over Europe, the USA, in Hong Kong, South Korea and China. Preferably in commercial areas of big cities close to advertising images or advertising screens. Nonetheless the stickers reached the southernmost place in Africa and an abandoned alley in Sarajevo. A 60-page zine with images of the stickers in the streets between South-Africa and Japan was released in 2015. In the same year during a residency at the Cité International des Arts in Paris Katja left some stickers in Marais next to fancy fashion stores, around Opéra near some of the Japanese shops in that area or other touristic parts of the city. On Oct. 6th she received a message from a Japanese friend saying that this was discussed on Twitter and several Japanese websites. A young Japanese woman had photographed one of the portrait-stickers (something Katja does herself for the project- blog). Some of her followers had commented on this, re-tweeted it. A well-known music-publisher also wrote about it and all of a sudden more than 20.000 people shared it and almost 17.000 people liked it. There where immediately some hateful comments (»this is against Japan«) but other people asked the same questions the artist asked herself “Was this her own idea or was it just another marketing strategy?”, some laughed about it, liked it a lot and some had unexpected ideas, connections and associations — and also some mix-ups with other Asian women. After three years Katja Stuke decided to use these comments, ideas, associations, mix-ups as a method to search for images, that search ended up published in another zine released in 2018. The apparently random selection of images in this zine is connected through the image of a Japanese Idol.

About the Artist
Oliver Sieber studied photography in Bielefeld and Düssseldorf. Since 1999 he has worked with Katja Stuke on Frau Böhm, a photo project in the form of a magazine, see Sieber’s work usually takes the form of series and he is fascinated by the subject of identity and the phenomenon of young people and their subcultures. This led to the series SkinsModsTeds, B-Boyz B-Girlz, 11Girlfriends and Boy meets Girl. In 2006 he spent time in Japan for an artist in residence program, where he made the series J_Subs as well as character thieves, for which he photographed young people dressed up as their favorite manga characters. Over the past few years exhibitions of his work have been held at, among others, the Photographers Gallery London, the Photographische Sammlung SK/Stiftung Kultur in Cologne, the National Museum of Photography in Copenhagen, the Photo Espana Festival in Madrid, your Gallery in Krakow and Fotomuseum Winterthur. Sieber has published a number of books. The latest two are based on his work character thieves an imaginary club.

Katja Stuke, born 1968, is a German photographer. She studied from 1988 to 1993 she studied visual communication in Dusseldorf, specializing in typography, photography / film. From 1993 to 1998 she worked for Michael Schirner. Together with Oliver Sieber, with whom she forms an artist couple and runs a joint studio in Düsseldorf, she publishes the photography project Frau Böhm, which developed into Böhm / Kobayashi.

About the Publisher
BöhmKobayashi is Katja Stuke and Oliver Sieber who cover an extensive range of personas: photographers and artists, curators and exhibition organizers, designers and art book editors. Yet as they move through their photographic cosmos, it is not always so easy to determine where one identity ends and the other begins. Regardless, in their works and activities as artists and art facilitators they have long since become moderators of a very specific photographic culture.

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