Leopold’s Legacy is a reflection on both the visible representations of colonialism in present-day Belgium, and the hidden traces of its gruesome past. Oliver Leu (DE) presents an eclectic collection of visual research, focusing on various topics from colonial monuments and prestigious architecture to antique postcards and collaged sculptures for alternative monuments. All these remnants of a once glorious past paint a wry story of decades of structural exploitation and genocide, and demonstrate how in Europe our collective perception of these events is gradually changing.
At the Berlin Conference in 1885, King Leopold II of Belgium was proclaimed the founder and sole owner of the Congo Free State, by convincing the colonial nations of Europe to commit to common trade and improving the lives of the native inhabitants. But in reality he extracted a fortune from the territory. Initially by the collection of ivory, but since the invention of the rubber wheel by Dunlop in 1888, mostly by exploiting the Congolese people to harvest and process rubber. His administration of the Congo was characterised by forced labour, torture and murder, causing the deaths of millions of Congolese people. A large part of the monetary gains from this exploitation was spent on public and private construction projects in Belgium that are often still part of our urban space.
With Leopold’s Legacy, Leu paints the portrait of an ambitious ruler with delusions of grandeur, and the influence the exploitation of his private colony still has on his home country today.
Including an introductory text by Professor of History, Matthew G. Stanard, and an extensive essay by Bambi Ceuppens, researcher at the Royal Museum for Central Africa in Tervuren.
About the Artist
Oliver Leu (1976) studied comparative theology and Indology in Cologne and Bonn before he turned to photography. He trained as a photographer at the University of Applied Sciences in Bielefeld. In his artistic practice Oliver Leu is concerned with questioning religion, the construction of history, the abuse of power and the consequences of colonial pasts. Since 2014 Oliver has developed these ideas in his project on Leopold II, for which he is researching and photographing the various forms of representation of the colonial history of Congo in Belgium.
oliverleu.com
(source: http://www.oliverleu.com/index.php/info/cv/)
About the Publisher
The Eriskay Connection is a Dutch studio for book design and an independent publisher. They focus on contemporary storytelling at the intersection of photography, research and writing.
eriskayconnection.com
(source: https://www.eriskayconnection.com/content/4-about-us)
Leopold’s Legacy
