Skip to main content

Untitled (I’ve taken too many photos/I’ve never taken a photo)
Anouk Kruithof

Untitled, Anouk Kruithof

Untitled, Anouk KruithofUntitled (I’ve taken too many photos/I’ve never taken a photo)
Anouk Kruithof
Self-Published
English

 

Softcover, unbound newsprint with loose print.
112 pages
210 x 280 mm
127 x 178 mm print
2014
ISBN 9789081708104

 

Untitled (I’ve taken too many photos/I’ve never taken a photo) is a new publication by Anouk Kruithof, which is an echo of the photo-ceiling + take away poster of the project with the same title, which was first exhibited during the Hyères Festival de Mode et du Photographie in France in 2012. Early 2012 Anouk Kruithof set out to find someone to help her edit her work—someone who had never taken a photograph in his or her life. She began by posting signs in her Bedford-Stuyvesant neighborhood in Brooklyn New York that read, “Did you never make a photo in your life.” The responses led her to a young man named Harrison Medina. The editing process began with 300 images out of Kruithof’s automagic archive, which Medina narrowed down to 75 and edited in three different sizes, which formed a spatial installation in the form of a photo-ceiling. Kruithof recorded the conversation during the selecting process, which is printed in this publication alongside 22 new photos. The new photos Kruithof made by reframing the physical prints, which formed the installation as a reaction on the spectator’s analogue interactive behavior, while viewing the photo-ceiling with mirrors. End of April 2014 Kruithof met Harrison Medina again in Bedford-Stuyvesant and together, they signed and numbered the back of the prints, which you’ll find on the cover of this publication.
(source: https://www.printedmatter.org/catalog/39088/)

About the Artist
Kruithof’s work is an investigation into the online representation of urgent societal themes. Over the past few years she collected circulating images related to issues like privacy, government surveillance, pollution and climate change. Kruithof subjects these to critical scrutiny by extracting existing imagery from the digital sphere, and translating the photo- graphs into her own idiosyncratic three-dimensional visual idiom. Kruithof is interested in how the human psychological condition is shifting in unstable times of systematic control, stress and chaos in the technologically mediated world. She attempts to map states of mind in society, manifesting invisible relationships in physical form and inviting new connections and meanings to arise.
(source: https://paper-journal.com/contributor/anouk-kruithof/)

Further Reading
http://time.com/3788799/anouk-kruithof/

Leave a Reply